This cover image released by Warner Bros. shows "En Garde," a release by Ethan Gruska. (Warner Bros. via AP)
This cover image released by Warner Bros. shows "En Garde," a release by Ethan Gruska. (Warner Bros. via AP)

Ethan Gruska has a well-deserved reputation for dreamy experimentation. From his work with the Fleetwood Mac-adjacent Belle Brigade to his 2017 solo debut, Slowmotionary, the songwriter and multi-instrumentalist has long demonstrated an adventurous musical spirit. Sometimes the experiments succeed, sometimes they donโ€™t.

That pattern continues on Gruskaโ€™s latest solo offering, En Garde, but the wins are more frequent this time. The Los Angeles-based producer of artists like Phoebe Bridgers and The Nationalโ€™s Matt Berninger shows a polish and maturity that suggest he could be turning a corner as a solo artist.

The release is at its best when Gruska anchors the dreamy atmospherics heโ€™s known for in a sturdy foundation of melody. Thatโ€™s a big step forward from โ€œSlowmotionary,โ€ his occasionally ponderous first album. More direction, focus and structure have helped to elevate the soundscapes.

That pays off nicely on the albumโ€™s better cuts, delivering tunes that will find their way onto many a mellow playlist. The best of these, โ€œOn the Outside,โ€ allows a gentle but slightly serrated electric guitar to lead the way through a soulful bop. โ€œMaybe Iโ€™ll Go Nowhereโ€ and โ€œEnough for Now,โ€ with Bridgers contributing background vocals, are both well-served by melody.

When Gruska veers too far from structure, his songs come across as ungrounded. The experimentation is laudable and the playing impeccable, but sometimes thereโ€™s a lack direction and the lyrics donโ€™t have much heft. Itโ€™s like a fine-looking car with no engine under the hood, much less a discernible place to go.

Still, thereโ€™s enough to like in the albumโ€™s best songs to make Gruska an artist to keep watching with enough promise to hint that better things lie ahead.