Ethan Gruska has a well-deserved reputation for dreamy experimentation. From his work with the Fleetwood Mac-adjacent Belle Brigade to his 2017 solo debut, Slowmotionary, the songwriter and multi-instrumentalist has long demonstrated an adventurous musical spirit. Sometimes the experiments succeed, sometimes they donโt.
That pattern continues on Gruskaโs latest solo offering, En Garde, but the wins are more frequent this time. The Los Angeles-based producer of artists like Phoebe Bridgers and The Nationalโs Matt Berninger shows a polish and maturity that suggest he could be turning a corner as a solo artist.
The release is at its best when Gruska anchors the dreamy atmospherics heโs known for in a sturdy foundation of melody. Thatโs a big step forward from โSlowmotionary,โ his occasionally ponderous first album. More direction, focus and structure have helped to elevate the soundscapes.
That pays off nicely on the albumโs better cuts, delivering tunes that will find their way onto many a mellow playlist. The best of these, โOn the Outside,โ allows a gentle but slightly serrated electric guitar to lead the way through a soulful bop. โMaybe Iโll Go Nowhereโ and โEnough for Now,โ with Bridgers contributing background vocals, are both well-served by melody.
When Gruska veers too far from structure, his songs come across as ungrounded. The experimentation is laudable and the playing impeccable, but sometimes thereโs a lack direction and the lyrics donโt have much heft. Itโs like a fine-looking car with no engine under the hood, much less a discernible place to go.
Still, thereโs enough to like in the albumโs best songs to make Gruska an artist to keep watching with enough promise to hint that better things lie ahead.
