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A touch of Dead Salmon?

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    This photo provided by Interior designer Daun Curry shows a room designed by Curry. Curry says she once had a client choose a paint color called Peace and Happiness because they liked the name. In this child's room shown here, the color is Farrow & Ball's Dead Salmon – a popular hue in the company's palette, albeit with a name that causes some mixed feelings. F&B's color consultant Joa Studholme explains that historic – and sometimes unusual – references are something the team likes to use. "The name was found on a decorator's invoice dated 1805 for a library at Kedleston Hall, Derbyshire. "Salmon is the colour, and Dead actually refers to the matte paint finish." (Emily Gilbert/Daun Curry via AP) Emily Gilbert

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    This photo provided by Backdrop shows the paint color Harajuki Morning. Natalie Ebel, co-founder of the direct-to-consumer paint company, says the pinks have been the most fun to name. "I wanted to keep the colors and names approachable for people like me - I wasn't a huge pink person before Backdrop. Harajuku Morning was inspired by a trip we took to Tokyo in 2016. The color is bright, airy and fun, and reminded us of the playfulness of Takeshita Street, but in the morning before the crowds." (Backdrop via AP)

  • This photo provided by Benjamin Moore shows a room painted with First Light, a dreamy, soft shade of pink. AP

Associated Press
Published: 1/31/2020 1:31:59 PM

Ever wonder how paint colors get their names? If you’re shopping for pink, say, you’ll find dozens of shades referencing roses, bubblegum and shells. There are some extra-evocative names like Calamine and Dead Salmon. And what about a pink called Harajuku Morning? Modern Love?

Names can sway a person, says New York designer Daun Curry. “We once had a client choose one paint color over another because the name was Peace and Happiness,” she says.

More often, we pick a shade because we like it, says color consultant Debra Kling of New York, and the name associations serve to augment our feelings about the hues.”

She warns clients that paints when applied can look very different from their names: Creams, especially, easily veer into yellow territory, even when there’s no hint of that hue in their name.

Natalie Ebel, co-founder of the direct-to-consumer paint company Backdrop – which is behind Harajuku Morning and Modern Love – says that choosing the right names for paint colors is essential.

“We encourage customers to not just paint their walls, but create their backdrop,” she says. “So each name was chosen to evoke an emotional connection; we were inspired by real people, places, things and moods.”

Farrow & Ball is known for creative naming; their latest Colour By Nature palette, made in collaboration with London’s Natural History Museum, was inspired by Werner’s Nomenclature of Colours, an 1814 guide that cross-references hues with markings and colorations found in nature. Scotch Blue, for example, suggests both the throat of a blue titmouse and copper ore.

Time and place also provide inspiration, says Farrow & Ball’s color consultant Joa Studholme.

“Occasionally, the paint name comes almost before the color. Plummett was mixed after an afternoon spent fishing on the river, where the color of the lead used to weight the fisherman’s line was a thing of such beauty that it just begged to be added to the Farrow & Ball palette,” she says.

Studholme shares the backstories on two Farrow & Ball pinks, Calamine and Dead Salmon:

“For many people of a certain age, Calamine lotion was an intrinsic part of early life. Applied to treat scraped knees, stings and the general travails of a lively childhood, it was always of comfort. And what was more calming, the actual lotion or its extraordinary delicate color? It certainly creates soothing rooms in the modern world,” she says.

As for the fishy one, the name was found on a decorator’s invoice dated 1805 for a library. “Salmon is the color, and Dead actually refers to the matte paint finish,” Studholme says.

Another rosy paint that Studholme thinks is well-named was inspired by the soft, feminine shade found in traditional ladies’ private quarters. But “Boudoir Pink” didn’t sit right, she says.

“So, we spent time considering how the boudoir got its name, only to discover it comes from the French bouder, meaning ‘to sulk.’ Thus, Sulking Room Pink was born,” she says.

Pink has enjoyed a favored position in the color pantheon since at least 2014, when movie director Wes Anderson clad his “Grand Budapest Hotel” in the hue. That was followed by rose gold fever. Color company Pantone designated light pinks as signature colors in both 2016 and 2017.

Paint marketers generally like names that are aspirational, that stir the imagination. First Light is Benjamin Moore’s 2020 Color of the Year, a dreamy, soft shade of pink. The company’s director of color marketing and development, Andrea Magno, says that while the color was already part of Benjamin Moore’s 3,500-hue library, “it’s always fortuitous when the trend concept and color name complement one another. While descriptions like ‘light pink’ are quite straightforward, we also look for names that evoke positive associations and experiences.”

PPG Paint’s senior color marketing manager, Dee Schlotter, says Linen Ruffle is the top pink requested on the company’s Paintzen platform. It’s a pale, taupe-tinged white with a pink undertone, named to evoke images of ruffly pillows and curtains.

And what about Kenny’s Kiss or Salsa Diane, two other pinks in the PPG collection? The former was named after an employee’s dog; the latter after a color lab stylist’s beachy dress.

HGTV Home by Sherwin-Williams’ color of the year is Romance, another gentle pink with a name that stirs feelings.

Ebel, of Backdrop, says pinks have been the most fun to name.

“I wanted to keep the colors and names approachable for people like me – I wasn’t a huge pink person before Backdrop,” she says.

“Harajuku Morning was inspired by a trip we took to Tokyo in 2016. The color is bright, airy and fun, and reminded us of the playfulness of Takeshita Street, but in the morning before the crowds. Modern Love was inspired by one of my favorite New York Times columns – the color makes me think of the beautiful, messy feelings that come with relationships,” she says.

Just like the beautiful, messy relationship we all have with the brushes, rollers and paint colors we bring home.




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